"small drum resembling a tamborine," late 13c., from Old French tabour, tabur "drum" (11c.), probably from Persian tabir "drum," but evolution of sense and form are uncertain. Related to tambourine.
a height. (1.) Now Jebel et-Tur, a cone-like prominent mountain, 11 miles west of the Sea of Galilee. It is about 1,843 feet high. The view from the summit of it is said to be singularly extensive and grand. This is alluded to in Ps. 89:12; Jer. 46:18. It was here that Barak encamped before the battle with Sisera (q.v.) Judg. 4:6-14. There is an old tradition, which, however, is unfounded, that it was the scene of the transfiguration of our Lord. (See HERMON.) "The prominence and isolation of Tabor, standing, as it does, on the border-land between the northern and southern tribes, between the mountains and the central plain, made it a place of note in all ages, and evidently led the psalmist to associate it with Hermon, the one emblematic of the south, the other of the north." There are some who still hold that this was the scene of the transfiguration (q.v.). (2.) A town of Zebulum (1 Chr. 6:77). (3.) The "plain of Tabor" (1 Sam. 10:3) should be, as in the Revised Version, "the oak of Tabor." This was probably the Allon-bachuth of Gen. 35:8.
city, southern Czech Republic. It lies along a bend in the Luznice River 50 miles (80 km) south of Prague. Founded in 1420 by Jan Zizka and other followers of the Bohemian religious reformer Jan Hus, Tabor became the radical centre of the more militant members of the movement, known as the Taborites. These people fostered the national spirit and the preservation of the Czech language. The town has a museum (1878) of the Hussite Revolutionary Movement
three-holed fipple, or whistle, flute played along with a small snare drum. The player holds the pipe with his left hand, stopping the holes with the thumb and the first and second fingers; the other two fingers support the instrument. A scale is obtained by overblowing, using the second to the fourth harmonics; the gaps between the harmonics are filled by uncovering the finger holes. The tabor, suspended from the player's left wrist or elbow, is beaten with the right hand to provide rhythmic accompaniment